Detail of the doors in the Basilica the San Zeno in Verona
Metal Work in Romanesque Period
In the early Romanesque period the Byzantine influences were strong and were the one adopted in Europe as favorite in which the decoration of caskets for jewelry and mementos showed great mastery in the finish, careful detailed figures against the fund as well of great management of the location of these figures very well adapted to the shape of the container. Most of these pieces in that early time of Romanesque were made in gold and silver following the Byzantine craftsmanship style.
The metal work urban industries in the middle and late Romanesque period finally get rid of the Byzantine influence and star working in their own forms and styles that was favorer with the introduction of new techniques. Even when the Church still order the majority of the work, the popular savor was widening and have more range and more different pieces start to be produced.
The work made principally in gold was replaced gradually by some pieces made in cooper and bronze to which a process of enameling applied over them made possible a more unique work and at the same time a more diverse and easy to produce type of metal work pieces. With enamel surfaces, a definitely less expensive method than the Byzantine was gradually overcoming the metal craftsmanship but not less beautiful or coarse nevertheless; since the new technique favored a different approach to good quality pieces without the costly precious metal gold.
Precious and Semi-precious gems were used to highlight this pieces and since the cleric was the principal recipient and payee and were the one that could afford such sophisticated metal work the Cathedral and Church use them in religious ceremonies and to keep relics; but also others uses less ecclesiastic and more on the practical side in which the religious theme were however still present. Occasionally glass was also cut and inset as gems
Metal work, including decoration in enamel, became very elegant and complicated with profuse decoration, and many spectacular shrines made to hold relics still can be appreciated in our days. Although large reliquaries and altar frontals were built around a wooden frame the smaller caskets were still done using metal and enamel. Some secular pieces, such as mirror cases, jewellery and clasps made for the rich people, nobility and important political figures show a mastery that was achieved in that period of the medieval times.
Also have been conserve despite the abuse this pieces affronted trough times due to wars, and political clash important pieces like crosiers, plaques, pectoral crosses and similar objects. Armors, shields, swords, knives and lances made during the Romanesque period show a craftsmanship that represent the transition and gradually enriching of artist forms occurred in this period. The ornamentation of this artifacts go from the rudimentary decorations in early Romanesque period to the finally evolve stylish sophistication that was reach in the Gothic period.
The craftsmen and artisans of Romanesque fill their metal work with matters and images with codes of meaning, symbolic representation of the transcendent importance the cleric award to their religious ideas and Fay. Most of this metal work as well as other artistic work made in different materials were in the majorities of cases destined to promoted ecclesiastics believes and to propagate the sacred word.
Chip-carving methods of metal craftsmanship employed for the German jewelers as well as other
techniques develop and executed by Celtic Metal work craftsman included gold filigree, multicolored stud like enamel, millefiori, amber, as well as stamped foils were made with exquisite results in the Metal work in Romanesque Period. The main contribution of Celtic art to iconography today lies in its abstract design, which can be incorporated into metalwork, carving, and fabric and so on; their figurative tradition was generally too abstract for use.
Some of the best known is those metal work pieces are:
– Shrine of the Three Kings at Cologne Cathedral by Nicholas of Verdun and others (1180–1225).
– The Stave lot Triptych and Reliquary of St. Maurus.
– The Gloucester candlestick, early 12th century.
– The brass font.
– The bronze doors, a triumphal column and other fittings at Hildesheim Cathedral.
– The Gniezno Doors.
– The doors of the Basilica di San Zeno in Verona.
– The silver Ardagh Chalice built up from over 350 separate parts. Ireland.
– The bronze Moylogh Belt Shrine from Celtic craftsmen.
– The Cross of Cong, constructed in Ireland for the King Turlough O’Connor in 12 C.