Search Results : stone age

  • Babylon Ancient Myths and Legends

    Heroe Gilgamesh with two demigods.

     

    Babylonian’s Myths and Legends

     

    About how the malicious prejudice against Babylon arise.

    Myths and legends of Babylon have been always a subject of curiosity and study, but  only recently important historical information about this Mythical civilization is been better discerned. Thanks to the discovery of a digging in which more than 3,000 clay tablets coming from this region are emerging from the sands; some hope is shedding for better understanding the real history and evolution of the Babylonian city. Further in this article is a list and brevely description of some of the more important myths and legends that Babylonian themself created or mantein in some case from assyrian legends, that help them deal with the every day live events.

    Is a mater of justice though; that some facts must been clarify firts about how this awesome civilization was unfairly proclamed by centuries as a city of sin and tiranny. They were incriminated through centuries by outsiders cultures with false perjuries, accused of have practiced heresy, supported oppression, lust and where swarmed the evil. This City drags a bad reputation that diminish the positive achievements that this civilization reached. Many of the awful legends that were created about Babylon culture are still  mudding today the memory of this people as if their were facts. Their enemies from one side and the self proclaimed  know it all chroniclers judged their conduct, myths and customs from a partialy points of view and moral patterns, their own of course.

    Resent studies are providing a more accurately portrait about the importance that myth and legends really meaned to those ancient Babylonian. The information that existed until now was mainly obtained based on references from the Bible, Greek or Persian chroniclers. There are also further Chronicles in time by Germans, and writers from other nationalities. Throughout history this information was interpreted without having a solid knowledge of the subject by many and even worse; sifted with malicious prejudice about those who had not chance to defend them self.

     

    Mesopotamian clay tablet containing list.

     

    In summary, different religious believe, territorial invasions and political struggles created those enemies to Babylon. As an example spoken in the Bible are many of them: from the curse of Babylon to others very venomous as well. In this passage is cited among others:

    • “Babylon, the jewel of kingdoms, the glory of the pride of the Babylonians, will be overthrown by God like Sodom and Gomorrah.” She never will be inhabited or lived by following generations; “no Arab will pitch their tent there, no Shepherd will rest his flocks there”. Isaiah 13:19-20 (NIV)

    Apparently the Christian thinker San Agustin De Hipona who lived approximately in the period (354-430) was one of the first instigators of this bad reputation and presents Jerusalem as the heavenly city as opposed to the demonic Babylon in his work “The city of God”. The fact of Babylon conquered the biblical city of Jerusalem; same as how also conquered other peoples; created them a resentful enemy which not overlooked the opportunity to provide bitter revenge against Babylon forever and so they did in the Bible and other works.

    A Millennium after the Protestant Martin Luther (1483-1546) was added to the list of those who contributed to shaping the infamous memory of Babylon and wrote in his work programmer “De Captivitate Babylonian”, comparing the city of Rome; as a center of the hated Catholicism with whom he call “the Babylonian whore”.

    The diabolic concept does not exist for Babylonian or any Mesopotamian culture. The Devil as demonic figure do not existed in Babylonians mythology. Their were considered though cruel, barbaric and diabolic by Christians and others religions that arise centuries latter. , that was and invention of monotheist religions who consider that everybody else who are not devote of one god (their god) are diabolic.   but we have to wonder, what make those other religions think they were better; is they kill hundreds of thousands of men and woman only because of the suspicious of been practicing witchcraft or just for not sharing the same religious belief?. Medicine, astrology, astronomy mathematics and many other sciences well know by the Babylonians at that time suffer century’s of darkness that send human knowledge back without mercy because of those ignorant religious extremes who buried all that wisdom wrapped in malevolent, sectary  and absurd religious justification calumnies.

     

    Reasons for which the Babylonian were so found of Myth, cults and legends.

     

    The Babylonians had the same needs of subsistence as other ancient peoples, they were conquered by others as the same they conquered other peoples, their protection needs ranging from defense against the enemy, the injustice against the weak people, favors from deities asking for appropriate weather conditions to develop their farms and all the other reasons why humans worship a deity or heroic figure; were present in Babylon and contributed to create and encourage those cults spreading them around the world. The Babylonian worldview, idolatry and mysterious symbols, which were incorporated in other religions in the rest of the world, gave much importance to the worship of demons and that is probably why Babylonia is considered the origin of the pagan religions.

    But the answer about the reason for which the Babylonians were so fond of this cults and dedicate great importance to the myths and legends; that other countries also adopted from them, can be found in the fact that religious rites established a link between the human and the divine, exacerbating the collective imagination that needs them for using those beliefs to get protection and justice, and to explain the occurrence of natural phenomenon and general life itself. Their gods have multiples characteristics they have good character and violent ones, for instance the violent outbreaks need to be appease with offers or even sacrifices, for them wasn’t a choice is was more an imperative and surviving need that have to be fulfill with responsibility and devotion.

     

    Mysthic figures from Sumeria and Babylon.

     

    Deities acquire meaning in the interior of each culture and the human being is in charge of create, build, play and keep the signs, symbols, myths, legends, rituals, as well as the speeches and meanings that support them. All this is done in order to rely on this communication channel which is what gives meaning to their life and justifies some of their actions; as the tyranny to maintain power, slavery; the servility to the Kings and veneration to the gods.

    Babylonians as many other ancient cultures around the word belief that the everyday word co-exist and overlaps with a spirit dimension and the anxiety created for dealing with this belief produce a constant source of fear, speculation and concern in such societies even though the primary intention in many cases is to resolve common problems such as illness, death, war, misfortune or as procurator of prosperity. Sorcery for evil purpose or to fight against these dark forces was also part of the rituals because they are not separate from the human nature or the divine spirituality they create.

    Most of the Mesopotamian legends have a Sumerian origin, so those propitiatory and idolatry needs are as old as the man itself, they just further naturally develop better shapes and characters when civilizations were conformed. But were the Babylonians poet’s however; who described this myth and legends in their own style, captured their essences and infuse them with novel meaning in their imaginative works to the climax they were adopted by others cultures to whom the Babylonian were in contact.

     

    Babylonian an Sumerian mythology

     

    Archaeologists are still finding the history of this city and much of the tablet and seals wrote in cuneiform writing form are very enigmatic and incompressible or have not been found or translate yet the complete information that can clarify all this legends. Is a long process to deal with those ancient tablets in peril of destruction once they are removed from their original site. The ignorance about the facts have now the real possibility of been explained and hopefully someday justice will be done to this incredible talented civilization.

    The Tower of BABEL it is perhaps the best example of the contradiction between the reality and the myth since in almost all its historical and artistic representations it has circular and conical form, when archaeological excavations have revealed that it was square or rectangular.

    The famous Hanging gardens of Babylon“; called like that by mistake of translation from the Greek language were involved in a legend as well and recently archeological discovers pointed that probably they were not even in Babylon.

     

    Stone relief representing the King Sennacherib palace and garden.

     

    The new studies reveals that this gardens where probably part of the complex engineering watering system that provide this precious resource to the ancient city of Nineveh (currently name Mosel); that is not close to Babylon. The gardens are located next to the palace of the Assyrian king Sennacherib.  He was a powerful king responsible for the construction of many fabulous architecture structure many year before the Babylonian king Nebuchadnezzar  was born. Dr. Stephanie Dalley of Oxford University’s Oriental Institute and author of “The Mystery of the Hanging Garden of Babylon” traveled to one of the most dangerous places on earth to prove not only that the Hanging Gardens of Babylon did exist, but also to identify where they most likely were located, describe what they looked like and explain how they were constructed in this episode of the PBS series Secrets of the dead. The lost Gardens of  Babylon.

    I recommend to every one to follow the link to see this episode which is going to provide interesting actual facts about this studies.

     

    artistic representation over Babylon mythical buildings
    Artistic  representation of the Babylon Gardens and the Tower of Babel.

     

    Probably one of the more known passages from Babylonian mythology is the one that narrate the history of the creation, which appears as well in many other religious accounts including the Bible itself. Even when Babylonian myths and legends were so hate by most of the other religious for centuries, were precisely their stories that provide most of the source for many of those other religions; pagans or not.

     

    Some of the myths that Babylonian created to deal with their reality that are known so far:

     

    TIAMAT – Is a folklore figure  (ASIRIO-BABILONICO) is a dragon that symbolized the ocean water in Babylonian mythology, the origin of life together with Apsu, which symbolized the fresh water. By artistic representations and narratives of the period is known to have aspect of serpent or dragon, with two or four limbs, wings, and a head with horns.
    This myth is collected in a poem called “Enuma Elish”, (2,000 BC) that tells how from her, representing the primordial chaos, were created the heaven and the Earth, and later, together with Apsu, the first gods. But legend tells us that these gods altering the order and worried his mother, Tiamat. Then Apsu decided to kill their offspring, but when they learned of his plans, began a bloody fight. Tiamat created an army of eleven sharp-toothed monsters to annihilate them.

    Mushussu: Another dragon, contained three-headed demon created by Tiamat fought against these gods, who were led by Marduk.

    Marduk: the God of storms is directly associated with the creation myth. He is usually linked with the origin of agriculture, the growth of vegetation and water fertilizer action. He sent a thunderbolt to Tiamat, and when she opened the mouth, helped by a hurricane he created that forced her to keep the mouth open and inflated her stomach stabbed her with an arrow in the heart. Marduk then created the sky with one half of Tiamat body and the Earth with the other and of her tears was created the Tigris and also the Euphrates.

    Ishtar: She was originally a goddess mother, eventually eclipsed all the other female deities of Babylon. She was also referred as the daughter of Anu, the sky or the goddess of the Moon, and the sin.

    The goddess Ishtar visited Hades to find the lover of her youth. According to the passage; she crossed through the seven gates of Hades and was stripped of  her clothes gradually until was naked completely before the Queen eye’s who decides to punish Ishtar for her arrogance; populating it with illness throughout her body. She was rescued by the man – lion Nadushu-namir.

    Nimrud: Was a skilled hero in killing wild beasts. After having obtained prestige among the people, devised a system that allowed greater protection and safety instead constantly fight with wild beasts, organized people in cities surrounded by walls for shelter. Once the cities were built, they would form a united kingdom and therefore required  a King, he took position as king with the approval of their peers.

    Sammur-amat or “gift from the sea”; with the later Hellenized name of Semiramis, was the beautiful wife of Nimrud. Later in Semiramis life, as well as throughout history her present overwhelmingly opaque her husband figure influence.

    The legend tells how she was possessed and the evil being within her made she commits sin. The Queen gave birth to an illegitimate son, and the King threatened to her dethronement and the exposure of its true origin. Semiramis elaborate a plot to overthrow Nimrud. At the ceremony of “New year” when she stated a RAM who was slaughtered and eaten raw traditionally while still alive, with the exception that when it came that time, instead of the RAM was the King who was made pieces. The son of Semiramis “Damu” in Babylonian “Dammuzi” was installed as King.

    King Hammurabi:   Powerful figure in Babylonia’s history. He created the first written laws and to warrant they remain immutable by his successors; so they could not introduced any modification to his code or abolish this legislation, he write and cast curses upon their heads if any change was intended. For those who do not obey him, also stipulate that disobedience to its laws will brings serious consequences as the devastation of the country, reducing to rubble of cities, the sinking of the villages, disturbances and uprisings, physical suffering, incurable diseases and premature death.

    – The story of King Nebuchadnezzar: About the year 560 BC was told in the biblical text of the Hebrews, which says that God punished this King making it like a beast, eating grass and living as a beef animal.

    Nergal: known as the God of plague and Babylonian mythology was originally the God of death or war. It was a frightening monster, who took advantage of every opportunity to destroy their victims. The Babylonians to defend against their attacks carried out sacrifices and incantations. This mythological explanation suggests the use of sorcery, although this practice was punished it with the death penalty.

    Tammuz: Son of the Solar God, symbolized with the golden calf, and as it was considered that Nimrud was the Solar God or Baal, the fire was considered as his representative on Earth. For this reason, ritualistic were lit chandeliers and fires in his honor.

    Gilgamesh Through this famous epic an adventurer with supernatural strength seek to free the land from the evil inflicted on by the monster Huwawa. The popular story of this hero make the imagination of people mistakes him for a God. This is the first narrative to record the combat between good and evil. This story originated in Sumerian myth had much popularity in Babylon and Assyria and has been frequently represented in the art of Mesopotamia.

    Etana mounted on the back of the Babylonian Eagle. In a fragmentary Tablet preserved in the library of Ashur Banipal; the Assyrian monarch is narrated the legend of Etana who gained the help of the Eagle to go in search of the plant of birth assistance. His wife was about to become a mother and was therefore in need of magical aid.

    Babylonian calendar: Mythology also framework guidelines of the Babylonian calendar. Every day and every month it had the protection of some divinity, reaffirming the relationship with the seasons and with certain aspects of everyday life. The Babylonian week was made up of seven days and its origin lies in the fact of associating a day with each of the deities identified with the seven moving heavenly bodies. The seventh day of the week (Shabbat) was established as a day of rest, in very remote times. The principle of this kind of seven-day weekly calendar was welcomed by other peoples and religions also, arriving to our days.

    The epic of Ammisaduqa: He was the hero of the Babylonian flood story; tells how the gods, after several attempts to destroy humanity, which had been making too much noise for their discomfort, finally arranged for with a huge flood drown the world; the God of wisdom, Enki, secretly warned his devotee Atrahasis what was going to happen, allowing him to prepare a boat, in which he, his family and their animals were saved. This story is similar to the story of Noel epic flood in the bible.

     

    clay tablet  with cuneiform writing conteining the legend of Atrahasia. British Museum colletions.
    Clay tablet with cuneiform writing conteining the legend of Atrahasia. British Museum colletions

     

     

    Bibliography:

    –           Montero Fenollos Juan Luis. Brief  History of Babylon.

    –           Ligia Carvajal. Babylon: myth and reality. Society culture and political organization. Not.23/annual/2010/ISSN 1659-3316.

    –           Lurker, Manfred (1998). The message of symbols, myths, cultures and religions. Barcelona, Spain. Editorial Herder.

    –           Donald A. Mackenzie. Myths of Babylonia and Assyria. September 5, 2005 [EBook #16653.] Character set encoding: ISO-8859-1.

    –            Dr. Stephanie Dalley of Oxford University’s Oriental Institute and author of “The Mystery of the Hanging Garden of Babylon”in the PBS episode of Secret of the dead.

    The lost Gardens of Babylon.

     

    –           Susan Greenwood. The Encyclopedia of Magic and Witchcraft. USA. 2001. BY Lorenz Books Editorial.

     


  • Phoenician painting

     

                                      Phoenician painting

     

    joven devorado por leon. marfil fenisia.

     

     

    Thanks to the fact of  be left hidden in tombs and in special environmental conditions the scarce Phoenician paintings who are still remaining today show us a glance of what could have been this plastic expression; just recently brought to light again by art historians and archeologist. There is not much what has survived in reference to the Phoenician painting. Limited examples found correspond in the majority of cases to the Hellenistic’s period tombs decoration. There isn’t some good information either in the Greek or Roman classic authors that can illustrate somehow details or at least a vague information about the characteristics of the painting of the “People of the Sea” the name by the one they were called by ancient contemporary cultures in some written inscriptions found.

    Unfortunately, no accounts survive describing the Phoenicians’ owns statements about their paintings either. It is a fact though that they received influences from other cultures like the Assyrians, Persians, Etruscans, Greek and Egyptians because they do commercialize with them or were under their domination at some point.

    The funerary painting of steles, votive items and walls painted found in the Phoenicians tombs’ shows how they enjoy painting in polychromes tones in some cases or even only in dual tones; like red over the ochre of the stone walls. They depicted different elements of their life as important as religious, social, funerary and their everyday routine like navigating or commercializing.

     

    ancient phoenician painting

     

    They represent as well nature in figurative drawings with predilection of outlined figures; as well as combining outlined figures with the use of colors inside them. Phoenicians also make paintings in which the figure’s outlined emphasis is not evident, in this case were almost free of distinctive trace of them.  This type of paint has been found corresponding with the Hellenistic period or from the times before as well; when the Greek influence was not yet imitate.

    Patterns conformed by sequence of flowers, petal or vines decorate the walls, been garlands a frequent motive found in their paints as well as some animal with or without the human figures present. Those zoomorphic figures have not been found so often in the remains discovered but since they were people that live so close to the sea, creatures from the oceans like fish, corals and octopus much has been represented as well somehow.

    The colors applied over the round sculptures or to decorate ostrich eggs are showing the presence of both forms of painting (color and outlined). Some paints found in archeological sites like the one in the Sicily region are good example of that.

    Phoenician painting was not, like Egyptian, displayed upon the walls of temples, nor was it, like Greek, that use pictures for the decoration of houses. It was employed to a certain extent on statues, not so as to cover the entire figure, but with delicacy and discretion, for the marking out of certain details, and to emphases certain parts of the design. The hair and beard were often painted a brownish red; the pupil of the eye was marked by means of color; and robes had often a border of red or blue. Statuettes were tinted more generally; the vestments were sometimes colored red or green. Some terracotta statues that had survive still show remnants of the pigments used.

     

    pigments over Phoenician statues

     

    The better approach to proper painting which was made by the Phoenicians is their vessels made in clay, terra-cotta, and alabaster. Here, though, the ornamentation was sometimes merely by patterns or bands, there was occasionally real effort to depict animal and human forms, which, was not by the way very successful but still possess considerable interest.

    New researchers based in report of chemical analyses showing that 8th-century B.C. Phoenician ivory artifacts are containing metal traces that are invisible to the naked eye. This Ivory sculptures seems to have been originally painted with colorful pigments, and some were decorated with gold. Research determine that these metals are found in pigments commonly used in ancient times to elaborate paints, such as the copper-based pigment known as “Egyptian blue” or hematite the iron-based pigment they also elaborate.

     

    Phoenicia Ivory artifact

     

    The Phoenicians were buried in tombs in situ and those funerary chambers were decorated following their tradition and believes, not meaning they necessarily were done to honor the specific dead person buried or the gods since the variety of theme found in the region not seems to show so. Is not clear yet what was the belief of the Phoenicians about the afterlife. Those paints are applied direct to the wall must have been difficult to do so with the irregularity of these walls. Other paints examples are in the ostrich eggs but in both cases the time had taken its toll in the deterioration they suffered.

    The Phoenician paintings before the Hellenistic period do not use perspective showing the figure drawn in strange positions and sizes in relation one to another. The themes were more inclined to represent figurative elements with geometric patterns framing the scenes in the footer; they depict their fortified cities, traditions and religious rituals in which the human figure was not excluded in those paints.

     

    ancient Phoenicia wall paint

     

    Other themes used in Phoenician painting corresponding to the Hellenistic period like mythological Greek characters, heroes, and banquets. They form part as well of the scarce paintings found but from this period the outlined detail of the figure faded away; probably with time since they are dating from 2nd -1st centuries but could have been the artist conscious intention as well.

     

     


  • Ancient culture and art of Celts

    Ancient culture and art of Celts

     

    Bukcle. La Tène.Germany.
    Bukcle. La Tène.Germany.
    5-4th c. BCE.

    History elements of Celts culture.

    Not much about the ancient Celts was known during centuries, except for the Greek and Romans chronic’s written that had survived where they consider the Celts as fearsome people and dangerous barbarians. The culture and art of Celts in ancient times it is today because of that reason sources of numerous studies by multidisciplinary teams of specialists.

     The people who are call as Celts have deep roots in European history, which can be traced back for at least twenty-five centuries. Those who spoke the Celtic languages in Europe as far back as the pre-history period of men up to the modern period are considered as Celt. However also Celts are the ancient peoples whose language is not Celt but are sharing cultural and stylistic similarities with people who indeed speak Celtic languages.

     

    The Celts leave no texts to rectify the Greeks and Romans prejudiced statements left for the posterity by the Classical authors because they do not count in ancient times with written language, or literacy of some sort for a long time, at least not any known so far. They culture and tradition pass through the next generations for centuries with the oral prose, stories about heroes, chants, symbolic representation in art of beautiful characters, tattoos designs as well as diverse other graphic representations like relief in stone and many different objects.

     Celts culture stone scuptures.

    The ancient Celts; who can now be seen fairly different from the barbarian people they were depicted before were at some point the dominant culture in Europe and established with their people and traditions in great part of that continent until they were displaced by wars. Today the new discovers shows them as an intelligent, complex, successful and a wealthy conglomerate of societies and tribes, who came to play a crucial role in the conformation of Europe, although they didn’t have a conscious as a nation themselves.

     Celts in ancient times were polytheists and very superstitious people. Archaeology has given this people a voice today through the physical traces they left behind, revealing many new aspects about Celtic society, economy and religious practices not mentioned in the existing classical Greek texts. The earliest recorded Celtic civilization as new archeological discovers point it can be as early as 2000 BC communities with Celtic origins already existed in Britain, Ireland, France and Germany.  

     

    Ancient Celts metal artifacts.

    The ancient Celtic people were basically farmers and warriors who settle in high mountains, worshipping the natural aspects around them: the sun, the moon, the stars and the Earth Mother with all the seven principal elements that were represented in any medium possible by their artists, blacksmiths, and craftsmen. They themselves are said to have practiced shape-shifting, so it is not unusual to find their many gods portrayed as having animal form, or even only animal body parts.

    The seven created beings of the Celtic world are all featured in their artwork frequently in abstract forms.

     

    1. Plants.
    2. Insect.
    3. Fish.
    4. Reptile.
    5. Bird.
    6. Mammal.
    7. Man.

    Ancient Celts Art

    Ancient Celts art is characterized by the horror vacui applied to the designs, though minimalist artistic representations are also sometimes encountered. They are full of colors and plenty of imagination reveling intricate designs, geometric and stylized elements that were use as inspiration later by Christian’s artists in the confection of outstanding and beautiful illuminated manuscripts in the Medieval Celtic Art or in the Insular Art period by Celtic monks.

    The earliest artistic remnants founded of the Celtic culture include many stylized bird, animal and human representations, crafted with such mastery, detail and fluidity they really give the impression of been full of life and movement. They produced sophisticated metalwork, stone and wood carving and decorate these objects with a variety of geometrical, knotted, and spiral designs, stylized animals and human figures.

    Ancient Celts juwelry 

    Celtic art is ornamental, avoid straight lines and only occasionally symmetry is used. The stylized figures allow combining tricky ways of representation that can be appreciated different depended of the position in which the spectator is observing the object.  Their art often contain complex symbolism in which patterns and number and their repetition conform the whole figure design.

    The geometric patterns are under the rounded lines control, and endless variety of swirls, curves, and other shapes, sometimes with a vaguely natural form appearance suggesting a much undefined plant or animal- like form instead of a natural and clear defined one. But it was characteristic of the Celt to avoid in their art all exact imitation of the nature world, they tend to stylize them as mentioned before, representing the abstract concept, reducing their designs for instance to pure decoration.

    This intricate designs and patterns were applied to weapons, ornaments, and household of all kinds, in gold, bronze, wood, stone, ceramic and possibly textile and fabrics as well.

    Ancient Celts weapons

    For the purpose to better study the Celtic art and culture, have been subdivided in different periods by multidisciplinary team of specialist. New knowledge about this culture is currently surfacing from the archeological excavations allowing this nomenclature be more adequate. The new discovers allows a better understanding identifying the differences between artifacts and their relation with the location and time of creation.

    Different periods of the Celtic art and culture:

    –         The Bronze age in Europe.

    –         Insular Bronze Age. 

    –         Greek/Etruscan.

    –         Romano/ Celtic.

    –         Early medieval Pictish.

    –         Early Medieval Celtic

    –         Hallstall period.

    –         Insular La Tène.

    –         Celtic Revival.

    –         Collateral.

    No architectural remains have survived intact from the earliest ancient period of the Celts although recent archeological studies in a place called Castell Henllys have help to reconstruct some aspects about the round houses builder by Celts in the Bronze Age period.

    In a place near Salzburg, in Austria was discovered at Hallstatt, relics from about 750 to 400 B.C portend in some cases a high standard of civilization and considerable commerce were: amber from the Baltic, Phoenician glass, and gold-leaf of Oriental workmanship have been found there. Iron swords were also in the group; whose hilts and sheaths are richly decorated with gold, ivory, and amber. Hallstatt culture produced art with geometric ornament, but marked by patterns of straight lines and rectangles rather than curves.

    Stone relief in Celts culture

    The Enamel-working was an example nevertheless of the mastery developed by Britain Celts people before the Romans conquest took place, which means that some skills like this one were developed by them before they even get any contact with the Romans. The Ireland Celts art remain for a long time strong and pure because not Romans or others cultures invade that country for centuries.

    Ancient Celts Torques

    The ancient Celts culture and art along their line of evolution in no way seem to have invented any new ideas, they had an extraordinary aptitude nevertheless for picking up knowledge from the different peoples with whom war or commerce brought them into contact, they receive artistic influences from the Etruscan, Greek, Roman, Phoenician and oriental cultures and this wealth in techniques, styles and craftsmanship skills was widely taken advantages of by the Celts who mastered all of them with surprising abilities, passing to their successors a baste cultural and artistic inheritance.

    Ancient Celts artifact, ceramic and metal.

    The Gundestrup Cauldron at the National Museum of Denmark

    The Gundestrup Cauldron. Courtesy The National Museum of Denmark.

    Celtic Monolithic
    Celtic Monolithic.

  • Metalwork and Jewelry in ancient India.

     

    Comb from ancient India

     

    Metalwork and Jewelry in ancient India.

    Body ornaments and metal works in Harrappan culture.

     

    The beginnings of metal work and manufactured jewellery in India can be traced in the Indus Valley civilization in a distant time that can be situated in the Neolithic age culture known as Mehrgarh (7000-5500 B.C.)

    In the early period of the Harrappan culture were already elaborated decorations that consisted of rounded pieces of  carved soft stone passed by a thin cord, were also used other materials such as seeds and shells.

    Harrappan people were apparently skilled craftsmen; they also work other materials as agate, Amethyst, carnelian, lapis lazuli and turquoise. Some stones were heated to produce a reddish color that was very appreciated by this civilization of the Indus Valley.

    During the last period of the Harrappan, Mohenjo Daro y Dholavira cultures artisans used materials such as bronze, copper, silver and Gold  making necklaces with simple decorations and  head metal bands. They confectioned as well bangles and other ornaments of molten metal. Copper material was mined locally in Harappa, in places like Baluchistan and Rajasthan.

     

    Examples of this early jewelry were stamped in a bronze cast figurine depicting a young ballerina of Mohenjo Daro. In the dancer arm can be appreciated the large amount of bracelets used. It was made approximately in 2,500 B.C.

     

    Sculpture from Mohenjo Daro

     

    Other decorative articles were made using materials such as glazed earthenware (not made from clay), terracotta, empty shells and ivory. Jewelry in the form of anthropomorphic symbols, animals and vegetation, as well as trees and depictions of feminine sexual organs were also elaborated by them. This early culture of the Hindu Valley had mainly matriarchal spiritual beliefs, which attached great importance to the female sexual organs; providers of fertility and reproduction. This jewelry was worn mainly by women (although men also adorned it) and was not buried with the deceased; instead they passed to their heirs.

     

    The Metalwork develops in Hinduism period in India

     

    Abundant mineral wealth in India became known worldwide, so wealth and lifestyle in the populations of the India grew progressively to opulence between (700-300 BC). This enrichment is especially visible in the standard of living of the high social castes sharpening therefore the difference between these and the lower castes of the population.

     

    Bronze sculptures, jewelry for body adornment, metal works related to the elaboration of images of worship and decoration of Hindu temples were performed with astonishing mastery acquired over time by artisans, jewelers and goldsmiths whose techniques and designs; without abandoning the characteristic Hindu elements, assimilated also others coming from other cultures such as the Greeks and Chinese.

     

    India silver ancient adornements

     

    The gold was used in India for body ornaments and other decorative pieces rather than for the production of coins as did the Greeks, from whom the Indians obtained large quantities of this material. According to Hindu belief, the gold and silver are considered as sacred metals. Gold for them is a symbol of the Sun, while the silver suggests the cold moon. Both metals are highly appreciated in India but specific Gold by its incorruptible characteristic is considered in this country as a symbol of immortality.

     

    The Metalwork and jewelry master quality production in the Mughal period.

     

    Previous to the heyday of the Mughal dynasties the Islamic jewelry had developed metallurgical work in India of some importance with the de Gaznavids, Gurids, and Turks, as well as some dynasties of Afghanistan. The power of the region increased, reaching its peak during the Mughal Empire, which spanned from the 16th century to the 19th century, and stretched from the India subcontinent to Afghanistan. The dazzling wealth of the Turk-Ottoman Empire in India was so enormous that it is consider as one of the richest in its time.

     

    In the Mughal period oriental style and techniques influences and enrich the designs and perfection of both jewelry and metal works in general. Many of these magnificent works ware made to decorate structures in buildings such as doors and windows. Luxurious furniture and articles of daily use such as mirrors with bases and handles of precious and non-precious metals, chests, and boxes were made for important and wealthy people that could afford them.

     

    Splendid and detail engraves daggers, swords, and guns are also within the objects made for both domestic consumption and export. Stands out perfectly the mastery with which these metal pieces wore made; combining the techniques, experiences as well as design and traditional style elements from Mughal and India cultures resulting in a great work of art.

     

    India. Dagger and sword

     

    Decorations of these works remain faithful to the traditional themes that represent plants, animals and mythical figures of the folklore of the India and scenes of everyday life but incorporate some geometric design elements adopted from the Persians, resulting in very elaborate works of art with great attention to detail and extensive use of precious and semi-precious materials.

     

    Precious and semi precious stones in ancient India

     

    In the elaboration of jewels and metal work in ancient India specifically well consider was the diamond not only because of its exceptional beauty, but also for the protective properties conferred by the tradition in this culture. Diamond it is used as a protector against snakes and to ward off enemies and the forces of evil among others. India was the first country that extracted diamonds from the mines; some of them are so old that dating back to 296 BC.

     

    Tradition of utilization of rock such as agate, Carnelian and quartz crystal in jewelry use is very old but this is not much known. There was a widespread utilize of crystalline quartz and chalcedony in ancient India. The lapidaries in Vellum, a city in the South of India, were worked on different varieties of Crystal rock, like regular quartz, smoky quartz, cairn gorme and Amethyst. These stones were beautifully settled in jewelry made in metal but also ornaments of different objects for both sacred and mundane use.

     

    Decoration with jewelry has been used by the people of India for centuries but for Royal jewels were symbol also of power and connection to the divine especially for the Maharaja and other members of the Royal family. The use of the precious stone in India was documented in the encyclopedia of the 6th century BC known as: the ‘Brihat Samhita “ (Utpalaparimala,), written in Sanskrit by the astronomer, mathematician, and astrologer Daivajna Varahamihira (505-587).

     Royal juwelry importance in India

     

    Among the names include in this dictionary are some such as:

     

    Marakata (Esmeralda).

    MUKTA (pearls).

    Padmaraga or Manikya (ruby)

    Vajra (diamante).

    Brahmamani (bi-color tourmaline).

    Gomeda (Hyacinth or zircon).

    Indranila (Sapphire).

    Jyotirasa .Karketana (Chrysoberyl).

    Pravals (coral).

    Pulaka (Garnet).

    Pushparaga (Topaz).

    Rajamani (Royal jewel).

    Rudhirakhya (carnelian).

    Sasikanta (Moonstone).

    Saugandhika (variety of Sapphire).

    Sphatika (Crystal rock).

    Sasyaka (copper sulfate).

    Vaidurya (Pencil lazuli).

    Vimalaka (pyrite).

     

    Gold coins from the Kushan culture (Mahayana); a Buddhist corporate culture that ruled in approximately 200s BC most of the North of the India are preserved today. They are displayed in drawings made in relief. The designs provide elements of social and religious history of this culture and also show the skill rich by them that are of significant importance in the North of the India region.

     

    Silver objects from India

     

    The Tamil region in the South of India is especially known for its accomplished metallurgical works of bronze and the multitude of statues of cast loss wax elaborated there. The culture of the Cholas (850-1250 AD) was a dynasty of Tamil which ruled the South of the India during the same period in which the Maurya Empire and Kushanthe ruled the north of this country.

     

    Importance of Jewelry in India in the traditional wedding ceremony “Solah Shringar”

     

    The “sixteen decorations”, used in Hindu , ancient custom wedding tradition dating back to the medieval India; still remain today, and it entails the use during the wedding ceremony of the specific ornaments, jewelry and cosmetics to be used on the day of the marriage by the bride.

     

    Some items of jewellery in the Solah Shringar; which is how it is called this set of 16 decorative elements, must contain the red color which is considered as good omen. Rings can be used in all ten fingers and include a Hathphulor, which is a Medallion that is placed in the back of the hand and attached to each ring by a series of gold chains. However the bridal  indumenta in different regions of the India use distinctive elements in their costumes that correspond to the specific customs of the region.

     

    India brides

     

    The Weddings, important events in the social life of its inhabitants have numerous jewelries and distinctive body ornaments whose beauty, sophistication and mysticism have transcended the borders of India. These are accompanied by a standard range of bracelets, bangles, earrings, nose rings and toe rings, been this last one in silver or other materials but never in gold because for Hindu religious only divinities can use gold below the ankle.  Bangles are normally made of gold, silver or iron, and the Shankha in ivory or ceramic.

     

    India metal adornement

     

    During the 15th and 16th centuries the Europeans, particularly the Portuguese, developed a great interest in India, especially about the valuable mineral wealth. The Esmeraldas, Ruby and diamonds of Golconda (located in Maharashtra) were on great appreciation by them.

     

    Towards the end of the XVI century, already countries like Britain, Portugal, Holland and France had established factories all over the region of India. The production of metal work and jewelry in India has maintained the importance, quality, demand and high level of marketing trough time. Today, with the rise of the curiosity of the world on such fascinating art and culture the metal work of India arouse the interest of a diverse crowd at the international level.

     

    Metal comb from ancient India

     


  • Architecture of India

    Slide12

    Architecture of India

     

    Prehistoric stages in Indi’s architecture.

    Regarding the architecture of India it is important to begin by mentioning the excavations that archaeologist John Marshall carried out in Mohenjo-Daro and Harappa in 1920; because they contributed to a better understanding of this culture of the River Indus who came to build urban sites surprisingly well planned for that time and that had even sewer system.

    In the area where the Deccan Plateau extends over the largest part of the South-Central territory of the Indian subcontinent have been found megalithic type grave’s (architectural constructions made with large blocks of stone barely trimmed) that correspond to the Mesolithic period.

    Also corresponding to this architecture period are several megalithic monuments highlighting the dolmens type among them (several slabs wedged into the ground in a vertical position with a slab as a cover leaning on them in a horizontal position).

    These architectonic structures were made using terracotta and brick. However despite all the excavations carried out by archaeologists has not been possible to find traces or vestiges of temples or palaces in these ruins found in Mohenjo – Daro and Harappa. If such type of buildings had been made they were not preserved. Remains have been found however of some vaults constructed of brick which denotes the advanced constructive perfection system employed which also include the walls that protected the Citadel or acropolis.

     

    Harappa Ruins

     

    Public buildings are located on a set of terraces drawn and aligned in parallel streets following a regular symmetry-based structured plan. These buildings include:

    -Baths or hot springs.

    -lectures room type (athletic cultural and social center that did not require much space)

    -cloisters rooms stances (some sort of quadrangular arcaded Gallery with arches resting on columns on all four sides).

    -Water wells. It is also known of the existence of individual water wells for each house located on the back of them.

    -Aqueducts (ramifications of narrow canals with ceramic pipes leading the wasted waters outside the city.

    Other locations where have been also found by archaeologists remains of civilizations in India dating back to ancient times are:

    -Sindhi.

    -Lothal.

    -Dholavira (Gujarat).

    -Kalibangus.

    Have been found also amazing structures built of stone whose depth measured from the surface to the bottom is of great magnitude. This water collecting walls allowed the former inhabitants gather water during the monsoon floods. These structures were planned in such a way that different levels directed water to the places that looks like some sort of pools for use in periods of drought. The city of Dhalavira has revealed in excavations for years the ingenious architectonic structure of the city conceived taking into account the need to keep water in so hostile climate.

     

    Dholavira City.

     

    Buddhist temples in India

    The wooden shrines built by the Buddhist monks were deteriorating rapidly destroying themselves in a very short time, it can be said that for this reason they were considered as temporary sanctuaries, very in tune with the characteristic of the pilgrimage of the Buddhist doctrine whose monks traveled from one side to another giving teachings and helping the needy.

    But this doctrine began to require places of meditation and temples of worship that will last and protect them from the weather, by which the caves provided a good haven, away from the hustle and bustle and enduring for more say, so what better than transform them to the needs of its doctrine?, after all they did have the best constructive force needed to tackle such an empress; the faith that move many faithful to carry out tasks that required huge efforts and time, but everything was possible if the purpose was to build a temple to pay homage to Buddha and spread his teachings.

     

    BuddhistTemples conmemorative of Buddha meditations place.

     

    Buddhism made excavation of caves an architectural important category, as from this moment the cave shrines become the most characteristic spaces. It can be said that the art of the excavated temples is in Indian traditional architecture the peculiarity that distinguishes it from other cultures.

    From the 3rd century BC and until the fifth century after Christ, the naturally formed caves and also the excavated were very important, constituting this temples of laborious dedication a shelter from adverse weather conditions and insects for Buddhist monks while they could gather together when they needed it in an atmosphere of silence for meditation and strong enough to last for a long time.

    They have helped us to know today the structure of the non-religious buildings in ancient times by the fact of having taken the form of the first construction of sacral buildings made in wood; and transpolar in detail is characteristics to the stone. The technique of excavation used denotes a broad knowledge of the stone characteristics, geography and topography of the places where they were made.

     

    Temples Carved in montains and rock formations.

     

     Buddhist temples main structures characteristics.

    Chaityas: “Chitya”, which means ash: (Hall of prayer in the Buddhist temples).

    Viharas: meeting place used as housing, dining room, library, classroom, workshop, etc.; it is the room in square shape of the monks who care for the temple and are dispose to accommodate them during the rainy season. They are the large central stance with the monks’ rooms surround it.

    The Buddhist Stupas

    They were mud mounds in the shape of domes containing inside the relics (body parts remains  as for example the teeth, belonging to Buddha and other important monks) the Stupas were part of religious buildings. The Maurya emperor Ashoka; converted to Buddhism in the year 260 C. conceived it as a . Memorial cosmic symbol of the Paranirvana of Buddha.

     

     

    Stupas

     

    These Stupas were classified in:

    • SARIKA STUPA.

    • PARIBHOJIKA STUPA.

    • UDDESHIKA STUPA.

    The architecture of the Jain temples

    The construction of monasteries and often spectacular sacred venues (as shown in the image of the interior of the Vimala Vasahi Jaina temple at Mount Abu), show how the influence of different cultures as time goes by resulted in a particular architectural style where curiously temples and religious activities have rooms dedicated to libraries and to the study of the teachings and even have clinics to serve animals who for this religion are of utmost importance. For Jain religion, the universe is full of individual souls, there are many that have had the misfortune of falling captive and are forced to live on Earth sometimes as men or animals and deserve all the respect and care.

    These temples have very presented therefore respect for animals and nature in general, which is a main characteristic inherent to the religious and philosophical aspect that spread Jainism. As in the case of other religions in India as well who also have this precepts in high consideration. The geography and climate; as well as social factors in each region counted with distinctive architectural elements outlined these Jain temples in the places where they were built.

     Jain Temple. India

     

    Hinduism’ temples architecture.

    The architectural style of construction of the Hindu Temple in general was conformed as was also done in other religions, varied in accordance with climatic, geographic, ethnic, racial diversity, history and linguistics in which they developed. In a country with such vast territories and so much diversity these aspects simply cannot be ignore.

    The first built temples are directly related to the rise of Hinduism during the Gupta period where they began to build temples in stone which were not destroyed over time as it did with the firsts Buddhist’  wood temples.

    Kahuraho temple.India

     

    The oldest temples that we find standing still today, is built around the 5th century A.D. and is destined for the Hindu cult; and no doubt reflect the power, strength and perpetuity the Gupta wanted to their religion. It’s a formidable effort to provide a safe and enduring building where to offer worship and respect to their gods. The blocks that make up the structure of the temple are worked almost to perfection in the same quarry, contributing to the artistic quality of the classical Gupta period.

    These first temples are still small and poor decorated and are the ancestors of the colossal temples rajputs and Dravidian of the later Hindu India. Draw attention the concentration of forms and economics of elements that do not result in detrimental to the quality or durability of the building. They already reflect the concept of Hindu, totally different from the Buddhist pilgrimage Temple’s. This new religious form starts to raise to a higher category all those popular cults that Buddhism had been abolished; by channeling them through devotional novel presentation that can be called now as neobrahamanismo.

    The Hindu Temple is conceived as a dwelling place of God on earth, and any volume or decorative element is depending on their spiritual nature rather than some others like utility or even aesthetic. The temple at Deogarh dedicated to Vishnu, along with the contemporaries of Sanchi, Ter, Chezarla and Aihole, constitute the first constructions in stone of India.

    Spatial structure inside the Hindu Temple is formed by:

    -The lobby.

    -The Prayer Hall.

    -The Chapel of the God.

    They concede great importance to the progression of light ranging from the one that comes from the outdoor porch to the dark room of the Holy chamber inside; as well as taking into account the gradation in heights of the covers that goes from the lower height of the porch, to the highest (sikara) on the Holy chamber. They reflect the concept of Hinduism sacredness which stipulates that the most sacredness places in the temple has to be darkness and greater in height.

     

    Kailasnadha Temple. Kamchipuram.India

     

    Dravidian Architecture of India.

    In what constitutes the southern triangle of the Hindustan peninsula, developed the more purely Hindu Indian style, Dravidian, from which we have received genuine works of art from the VII century d. C. The main type of these temples has a square plant from whose ritual centre all architectural elements are diffused.

    The cover with a pyramidal shape, allows to reach any height by simple multiplication of the number of floors in a staggered way, they end with an architectural element known as stupika (referring to the celestial Vault), recalling in its form to a huge fungus. These staggered roofs can reach spectacular heights, solving the problems of the verticality of the structure based on small buttresses to reinforce it, repeating the shape of the stupika as well as the vaults known as kudu as necessary.

    This temples stratified appearance evokes a mountainous appearance, can be seen much better from the height and appreciate the perfect combination of geometric shapes that conform a Mandala. The temple achieves that come together harmoniously the rigorous rules and commandment of earthly ritual with the cosmological features.

    Mahalabipuram temples.India

     

    If you look from the architectural point of view, this constructive harmony has its advantages, because this formula can take any measure (on ground or raised) by a simple multiplication of horizontal or vertical elements. The tendency to multiply the floors in Dravidian covers denotes the conception of religious and philosophical believe behind it where the floors are reflecting the multiplicity of names of the God who is worships in the temple.

    The analysis of the Dravidian temples’ plant presents a labyrinth called “Mandala” that power cosmic energy of God. These architectural ensembles have the walls decorated with alternating pilasters and figures in high relief, representing the God in different postures. Examples of important Dravidian temples are the five structures called Rathas in Mahabalipuram.

     

    Slide7

     

    Located in Tamil Nadu, the Brihadisvara Temple in Thanjavur was constructed by the great Raja Raja Chola ruler of the Chola dynasty in the tenth century A.D. He commissioned  this work to achieve personal good Karma, according to their belief their successful reincarnation depend on  the magnitude of the offers; in this case this magnificent example of the architecture of the Dravidian temple that was left for posterity which is erected by his personal diligence.

    India architecture in the Mughal period.

    Architecture in this period summarizes and mixes together the artistic forms of construction coming from the prolific Islam culture with the one existing in India, creating a very ornate and exuberant style that represents the vitality of the Mughal Empire. Its splendor is seen irrefutable in buildings in Fatehpur Sikri, which was capital of Akbar for a time, near the Agra region.

     

    Jai Grudev Temple. Mathura. Uttar Pradesh. India

     

    This resulting fusion of architecture styles, combining Islamic elements as it is the case of the vaults, bows, ruffles and minarets, the use of marble, either in tablets or in mosaics, the frequent use of courtyards, whose use was indispensable in the dynamics of these buildings, along with constructive strength, the use of smooth stone and the Indian ornamental decoration.

    From this period of boom of Mughal architecture is the incomparable Palace of the Taj Mahal, which was built by the fifth Emperor Mughal, Shah Jahan in memory of his second wife Mumtaz Mahal, a Persian Princess whose husband loved deeply and who died giving birth to their son number fourteen, a girl.

    This Palace of great beauty and majestic presence has been a monument to the love through time and a symbol of the pomp and quality of India architecture. It was designed by Iranian architect Istad Usa. The construction of the beautiful mausoleum began in 1631 and took 22 years to complete.

     

    Taj Mahal.India

     

    This magnificent building which has been declared world heritage is visited by millions of people every year.

    The next post will be about the textiles in India important artistic expression that became a demanded and appreciated industry for them.